Antique White SW 6119
Sherwin-Williams Antique White (SW 6119) has an LRV of 72; Behr Antique White (23) is its closest match at ΔE 1.1.
- LRV
- 72light reflectance, 0–100
- Undertone
- Warm (yellow)calculated from Lab
- Hex
- #E8DCC6
- RGB
- 232, 220, 198
- CIE Lab
- 88.2 / 0.5 / 12.3D65, from hex
- Depth
- Light
Closest matches to Antique White in other brands
Ranked by CIEDE2000 colour difference (ΔE). Under 1 is near-identical; under 2 is hard to tell apart on a wall.
| Color | Brand | LRV | ΔE 2000 | How close |
|---|---|---|---|---|
| Antique White Behr 23 | Behr | 73 | 1.1 | very close |
| Muslin BM OC-12 | Benjamin Moore | 66.54 | 1.5 | very close |
| Cream In My Coffee Valspar 3003-10C | Valspar | 72.31 | 2.2 | close, visible side by side |
| Antique White PPG 1024-2 | PPG | 72 | 2.7 | close, visible side by side |
| Manchester Tan BM HC-81 | Benjamin Moore | 63.24 | 2.8 | close, visible side by side |
| Spanish Sand Behr OR-W07 | Behr | 64 | 3.0 | close, visible side by side |
| Toasted Almond PPG 1097-3 | PPG | 61 | 3.1 | close, visible side by side |
| Antique White Valspar 7002-20 | Valspar | 80.37 | 3.8 | close, visible side by side |
Matches come from the 190 colors in our database so far, not from every color each brand makes. Try the color matcher for any hex code.
Antique White on a wall
About Antique White
Antique White LRV and undertone
Sherwin-Williams Antique White (SW 6119) has an LRV of 72, placing it in the light range. Light Reflectance Value measures how much visible light a surface reflects, so this value indicates relatively high reflectance compared with mid-tone and dark paints. Antique White belongs to the beige color family and has a calculated warm yellow undertone. That combination gives it a different underlying color direction from cooler whites and grays. Its appearance can shift with surrounding materials and the room’s light. North-facing daylight often makes warm undertones less pronounced, while south-facing light can emphasize them. Compare a sample with the actual flooring, countertops, and trim, since nearby whites may make small undertone differences easier to see. The finish also affects how light reflects from the painted surface.
Antique White in other brands
Behr Antique White (23) is the closest listed match, with an LRV of 73.0 and a ΔE of 1.1. A ΔE between 1 and 2 indicates a very close match, though the colors are not identical. Benjamin Moore Muslin (OC-12) has an LRV of 66.54 and a ΔE of 1.5, making it very close but darker by reflectance. Valspar Cream In My Coffee (3003-10C), at LRV 72.31 and ΔE 2.2, is a close match with a visible difference beside the original. PPG Antique White (PPG1024-2) has an LRV of 72 and a ΔE of 2.7. Its reflectance value matches the original, but the measured color difference remains visible side by side. Use these figures to shortlist alternatives, then compare samples under consistent lighting before choosing a replacement.
Lighter and darker Sherwin-Williams alternatives
Sherwin-Williams Canvas Tan (SW 7531) has an LRV of 64, lower than Antique White, and a ΔE of 2.9. It is darker by reflectance and a close but visibly different color. Sherwin-Williams Natural Linen (SW 9109), at LRV 66 and ΔE 3.1, is also darker and remains a close match by measured color distance. Sherwin-Williams White Duck (SW 7010) has an LRV of 74 and a ΔE of 3.8, making it lighter by reflectance. Sherwin-Williams Shoji White (SW 7042), also at LRV 74, has a ΔE of 3.9 and offers the same higher reflectance with a visible color difference. Choose a lower-LRV alternative when you want less reflected light and more depth. A higher-LRV option may suit spaces where maintaining brightness matters. Test the colors beside the intended trim to judge their relative warmth and contrast.
Before you buy, compare a physical sample with the swatch on Sherwin-Williams’s page for Antique White.
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Hex, RGB and LRV (as published) from Sherwin-Williams's page for this color, checked October 24, 2026. Lab, undertone and ΔE are our calculations. Not affiliated with Sherwin-Williams. See how we measure colors.